One month after her novel long gone With the Wind was once released, Margaret Mitchell bought the motion picture rights for 50 thousand cash. petrified of what the studio may well do to her story—“I wouldn’t positioned it past Hollywood to have . . . Scarlett seduce basic Sherman,” she joked—the writer washed her palms of involvement with the movie. despite the fact that, pushed by means of a maternal curiosity in her literary firstborn and forced by means of her Southern manners to respond to each fan letter she obtained, Mitchell was once not able to stick aloof for long.
In this choice of her letters in regards to the 1939 movie vintage, readers have a front-row seat because the writer watches the Dream manufacturing unit at paintings, studying the fine details of filmmaking and gaining knowledge of the peculiarities of a movie-crazed public. Her skill to weave a narrative, so obvious in long past With the Wind, makes for pleasant analyzing in her correspondence with a who’s who of Hollywood, from manufacturer David O. Selznick, director George Cukor, and screenwriter Sidney Howard, to solid contributors Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland and Hattie McDaniel.
Mitchell additionally wrote to hundreds of thousands of others—aspiring actresses desirous to play Scarlett O’Hara; fellow Southerners hopeful of seeing their houses or their grandmother’s gown utilized in the movie; rabid motion picture enthusiasts made up our minds that their favourite superstar be forged; and creators of songs, dolls and Scarlett panties who have been confident the writer was once their price ticket to repute and fortune. throughout the film’s creation, she corrected erring newshounds and the producer’s over-the-top publicist who fed the gossip generators, accuracy be damned. as soon as the motion picture complete, she struggled to house pals and strangers alike who “fought and trampled sons and daughters and connived and broke the binds of lifelong friendship” to get tickets to the premiere.
But via all of it, she retained her humorousness. Recounting an acquaintance’s denial of the rumor that the writer herself used to be going to play Scarlett, Mitchell famous he “ungallantly acknowledged that i used to be whatever like fifty years too previous for the part.” After receiving quite a few letters and contact calls from the studio approximately Belle Watling’s accessory, the writer similar her father used to be “convulsed on the proposal of somebody telephoning from big apple to find how the madam of a accomplice bordello talked.” And in a chatty letter to Gable after the superior, Mitchell coyly admitted being “feminine sufficient to be really charmed” by way of his assertion to the clicking that she was once “fascinating,” yet further: “Even my most sensible associates examine me in a speculative way—probably pondering what they neglected that your sharp eyes saw!”
As long past With the Wind marks its seventy-fifth anniversary at the silver reveal, those letters, edited through Mitchell historian John Wiley, Jr., supply a clean examine the most well-liked movie of all time throughout the eyes of the lady who gave start to Scarlett.
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Additional info for The Scarlett Letters: The Making of the Film Gone With the Wind
SHOTS FROM EXALTED STAGE PERFORMANCES BY SONIC YOUTH AND LYDIA LUNCH ARE INTERCUT WITH IMAGES OF A FEMALE AGGRESSION-FILLED PUNK RUNNING THROUGH THE STREETS OF NEW YORK. FOLLOWED BY SCENES OF A PROTEST MARCH AGAINST THE VIETNAM WAR AND THE FLIGHT OF A MILITARY MISSILE. THE AUDIO-VISUAL THEME OF Death Valley '69 REVOLVES AROUND THE DISAPPOINTED DESIRES OF THE STUDENT-PROTEST GENERATION. AS THURSTON MOORE AND LYDIA LUNCH SING OF FRUSTRATION AND VIOLENCE OFF-SCREEN, WE SEE POLICE BEAT UP DEMONSTRATORS, AND PROTAGONISTS FROM THE CINEMA OF TRANSGRESSION, SUCH AS LUNG LEG AND TOMMY TURNER, INDULGE THEIR AGGRESSION.
SINCE THERE IS NO AFTERLIFE, THE ONLY HELL IS THE HELL OF PRAYING, OBEYING LAWS, AND DEBASING YOURSELF BEFORE AUTHORITY FIGURES, THE ONLY HEAVEN IS THE HEAVEN OF SIN, BEING REBELLIOUS, HAVING FUN, FUCKING, LEARNING NEW THINGS AND BREAKING AS MANY RULES AS YOU CAN. THIS ACT OF COURAGE' IS KNOWN AS TRANSGRESSION. WE PROPOSE TRANSFORMATION THROUGH TRANSGRESSION - TO CONVERT, TRANSFIGURE AND TRANSMUTE INTO A HIGHER PLANE OF EXISTENCE IN ORDER TO APPROACH FREEDOM IN A WORLD FULL OF UNKNOWING SLAVES.
I • • I Carlo McCormick ist Kunstkritiker in New York, Autor zahlreicher Bticher und Chefredakteur des PAPER MAGAZINE. " • • IT WOULD BE IMPOSSIBLE TO MAKE A MAINSTREAM MOVIE ABOUT THE CINEMA OF TRANSGRESSION. NO STUDIO, PRODUCER, DIRECTOR, STAR OR I BACKER WOULD TOUCH IT - AND HARDLY BECAU~E OF THE EXPLICIT CONTENT, BUTBECAVSE NO ONE WOULD BELIEVE IT. THINKING BACK ON IT TODAY, THREE DECADES AFTER THE FACT, IT IS INDEED HARD FOR THOSE WHO WERE THERE TO FIND IT ALL THAT PLAUSIBLE. IT'S DIFFICULT TO IMAGINE EVER BEING THAT DISILLUSIONED, ALIENATED AND ANGRY.